PMC Gold Clay

gold precious metal clay for Jewelry Artists 91.7% gold and 8.3% fine silver. This package will give you 3 grams of 22K gold after firing. This lump clay is used very much like silver clay and has it's own unique working properties. This clay is much stiffer than silver clay. This product can be thinned into a paste and painted onto fired or unfired silver clay products. Use 2 or 3 thin coats rather than thick coats. Each coat should be very well dried before adding additional coats.

Uses This form can be cut with punches or scissors and applied as decorations to objects. Use for making bezels, folded or draped forms and ring shanks. Workability PMC3 is smooth and easy to work with. Keep unused clay in a clay hydrator between use. Embedded Objects Any object that can withstand the firing temperatures and times of PMC3 can be embedded and fired in place. Some natural gemstones, lab gems and cubic zirconia's can be used, as well as porcelain. Check out our Gemstone Firing Guide for details on a specific stone. Firing Options Temperature Hold Time Kiln 1650°F / 899°C 1560°F / 849°C 1290°F / 699°C 1200°F / 649°C 1110°F / 599°C 2 hours (optimum) 20 min 10 min 20 min 45 min Torch Red Glow 5 min (may vary depending on thickness)

Artists who have used other versions of PMC before will find that the gold is slightly denser. This will make it feel a little stiffer, and explains why it will take longer for water to penetrate.
Before using, knead the material while it is still in its plastic wrapping to loosen
the structure. Add small amounts of water to compensate for drying during working, but be conservative. Seal unused material to retain moisture. Finishing is done just like any precious metal, including abrasives, tumbling, hand burnishing, and polishing compounds. PMC Gold can be soldered with any gold solder below 22 karat. As with other metal clays, allow the work to dry, preferably overnight.